Dr Natalia Andreeva
Head of Keyboard
小提琴独奏家和室内乐音乐家
与澳大利亚室内乐团合作长达32年
与欧盟室内乐团、皇家爱乐乐团合作演出
曾担任巴蒂尼亚诺音乐节歌剧院管弦乐团首席
履历简介
The Russian pianist Natalia Andreeva was born in St. Petersburg. She graduated from the Rimsky-Korsakov Musical College and the State Conservatorium of Music. She studied under the Russian pianist, Professor Viktor Abramov and the international concert pianist Andrej Hoteev, an assistant to the legendary Lev Naumov. Natalia continued her musical education in Chicago (Roosevelt University) as a Fullbright scholar. In 2012 she completed her PhD in Piano Performance in Australia, at the University of Sydney.
Natalia has given recitals as a solo pianist and with a number of different chamber groups in Russia, the USA and Australia. She has made recordings for Australian broadcasters including ABC classic FM, Sydney. She has recorded a number of CDs which were released by Divine Art Recordings Group (the latest, released in 2019, was recorded together with the Russian violinist Evgeny Sorkin).
In 2007 Natalia became a staff member at the Sydney Conservatorium of Music and its Rising Stars Program. Natalia’s students have been prize winners at many Australian and international competitions.
CD: The Whole Note
“Andreeva is a gifted performer, researcher and teacher. Her program choices are deliberate, balanced and artful. Her approach is methodical, yet inspired… [she] builds her phrases with care and balance. Andreeva is a deeply thoughtful artist and definitely worth hearing. ” —Alex Baran
CD: Fanfare
“Natalia Andreeva is a thoughtful pianist who has already impressed the present writer several years ago. The recording is generally good but can feel soft-edged at times. The playing needs no such qualifying. Natalia Andreeva is a highly talented, intelligent pianist who here offers a most rewarding program in superbly musical interpretations given with a rock-solid technique. This is music to get one’s teeth into, superbly presented. ” —Colin Clarke
“Breath-taking … for the breadth of insight Natalia Andreeva brings to these scores. Ustvolskaya has a voice all of her own. There is a Webernian concision to her expressive means; nothing is wasted, nothing is frivolous. Strongly recommended as a reminder of the sheer power music can wield. ” —Colin Clarke
